Endeavoring to explain how this categorization has occurred, Simone de Beauvoir elucidates an evident duality in society: Where does this dualistic nature of thought originate? In creation myths, like the ancient Greek story of Helios and Semele, the sun and the moon were usually personified as a male god and a female goddess, respectively, with the female figure representing darkness.
The following entry presents criticism of Conrad's novella Heart of Darkness from to Heart of Darkness is considered one of the greatest novellas in the English language.
On the surface it is a dreamlike tale of mystery and adventure set in central Africa; however, it is also the story of a man's symbolic journey into his own inner being.
A profusion of vivid details that are significant on both literal and symbolic levels contributes to the ambiguity of Conrad's narrative and has led to conflicting interpretations of its meaning.
Written inHeart of Darkness was initially published in serial form in Blackwood's magazine and finally published in book form in Youth: A Narrative, and Two Other Stories It was later published separately in Plot and Major Characters Throughout Conrad's career Heart of Darkness remained one of his most popular and highly regarded works.
The novella details the story of the seaman Marlow who, fresh from Europe, is sent on a boat journey up the Congo River to relieve Kurtz, the most successful trader in ivory working for the Belgian government.
Prior to their personal encounter, Marlow knows and admires Kurtz through his reputation and his writings regarding the civilizing of the African continent and sets out on the journey excited at the prospect of meeting him.
However, Marlow's experience in Africa inspires revulsion at the dehumanizing effects of colonialism, a disgust that culminates when he discovers that Kurtz has degenerated from an enlightened civilizer into a vicious, power-hungry subjugator of the African natives.
Marlow's journey forces him to confront not only Kurtz's corruption but also those elements within himself that are subject to the same temptations that affected Kurtz. When Marlow finally meets Kurtz, the mythical figure is near death, ravaged by disease and dissipation.
During the visit he lies to her about Kurtz's activities and falsely claims that he called her name before he died.
Critics have debated the motives behind this last deception: Major Themes Like many of Conrad's novels and short stories, Heart of Darkness is based in part upon the author's personal experiences. Inafter more than a decade as a seaman, Conrad requested the command of a Belgian steamer sailing for Africa.
A diary kept during the subsequent voyage provides evidence that many of the characters, incidents, and impressions recalled in Heart of Darkness have factual bases. Contemporary critics, however, contend that Conrad's manipulation of the African environment in the novel, and the portraits of greed, destruction, and psychological regression that he creates, should be credited solely to his imaginative genius.
Moreover, the relationship of Conrad to his character Marlow has been a fertile area of critical discussion. Marlow has been variously perceived as the spokesman for Conrad, a complex and separate creation, and as a combination of both.
The affinity between Marlow and Kurtz is considered the most crucial relationship between characters in the story. Many critics have commented on Conrad's evocative powers in Heart of Darkness, paying particular attention to his use of imagery, which manages to evoke a sinister atmosphere through the accretion of objectively described details of the African jungle and natives.
The visual imagery, which heavily depends upon contrasting patterns of light and dark, contributes most appreciably to the consistently ambiguous tone of the work. To demonstrate the moral uncertainty of this world and of life in general, Conrad consistently alters common symbolic conceptions of light and dark.
Thus, white is not synonymous with good, nor black with evil, but rather both symbols are interchangeable. Throughout the novella, white and black characters are alternately examples of acute suffering, civilized dignity, moral refinement, or violent savagery, demonstrating that no race is wholly good or evil, and that all human beings are a confusing mixture of propensities for all types of behavior.
While some critics consider Conrad's imagery vague and confused in a manner that does not present a clear picture of the principal characters and events, most find that the ambiguity of description lends a psychological depth to the story that demands the close attention and involvement of the reader.
The political significance of Heart of Darkness has also received much critical attention. Social Darwinism and a strong belief in the Carlylean work ethic are two of the Victorian standards that are attacked in the novella.
The first served to justify European exploitation of Africa and other areas of the world by purporting that the indigenous peoples were in need of the superior technological and religious knowledge of Europe.
In Heart of Darkness, the hypocrisy of these aims is illustrated by the all-consuming scramble for wealth by the Europeans, who destroy the land and people without remorse. Critics contend that by contrasting the harmony that exists between the native Africans and their natural environment with the lazy, brutish grotesques that white imperialists become in Africa, Conrad proves that it is the Africans who are the fittest to survive in their native land and that Darwin's theory was in fact never intended to be applied to races or nations.
In similar fashion, the work ethic that Marlow seems to embrace, praising its effectiveness in keeping his mind free of undesirable thoughts, is in fact instrumental in blinding him to the events around him.
Throughout the novella, Conrad's portrayal of the failure of various European ideologies in Africa suggests the consequent failure and moral bankruptcy of Europe. Critical Reception Heart of Darkness remains a work popular with critics and readers alike.
It has been studied from feminist, psychoanalytical, racial, and political perspectives. Conrad's consciously ambiguous presentation of the relative nature of truth and morality, which compels the reader to take an active part in understanding the novella, is often considered a forerunner of many modernist literary techniques.
For this reason Frederick R.Heart of Darkness Joseph Conrad (Born Josef Teodor Konrad Nalecz Korzeniowski) Polish-born English novelist, short story and novella writer, essayist, dramatist, and autobiographer.
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The following entry presents criticism of Conrad's novella Heart of Darkness () from to Essay on Feminist Theory in Heart of Darkness Words Jun 15th, 5 Pages Angels and Monsters in Heart of Darkness Joseph Conrad’s varying depiction of women in his novel Heart of Darkness provides feminist literary theory with ample opportunity to explore the overlying societal dictation of women’s gender roles and expectations in .
Heart of Darkness Heart of Darkness, by Joseph Conrad is a fictional novel with an overflow of symbolism. Throughout the entire novel Conrad uses a plethora of simple colors, objects, and places in order to clarify very complex meanings.
- Feminist Imagery in Joseph Conrads Heart of Darkness Many feminist critics have used Joseph Conrad's Heart of Darkness to show how Marolw constructs parallels and personification between women and the inanimate jungle that he speaks of.
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